The Crate: The Seed (2.0)
The Seed (2.0)
The Roots (2003)
THE funkiest metaphor for impregnation ever. Cody Chesnutt, a soulful guitarist and singer from Atlanta, sings verses; the rapper Black Thought from Philadelphia’s the Roots does verses, too. Chesnutt plays guitar as well, so raw and demanding and relentless. The Roots are a live hip-hop group – they have the best drummer on the planet in Ahmir ”Questlove” Thompson – but this is a rock song. Chesnutt did it in a kind of demo form a year before on his own record, The Headphone Masterpiece, in which he positioned himself as a hip-hop Woody Guthrie of the street – a guitar slinger. The newer version of the song is curious because it’s not about the art of sex, or the mystique, or desire, or the quest for it – as is, for example, the entire canon of rock’n’roll itself, the genre that got its name from slang for the act of having sex – but it’s about a group of people’s journeys, or narratives, around pregnancy. Pregnancy here is the whole mission of life itself, a kind of holy thing. Chesnutt and Black Thought name-check a ”Mary”, an unmarried mother-to-be. At that it becomes bigger than a mere story. ”Little Mary” is ”bad”; she wants everything. She’s into neo-soul. She’s Erykah Badu or Jill Scott, she’s as totemic as that, whereas the men around her are ignorant to the innate power of a woman and also ignorant to the meaning of babies, the meaning of procreation, the meaning of ”the seed”. The best line is ”… if Mary drop my baby girl tonight I would name her rock’n’roll”. So glib and futile, but what a great line. In the end, it’s a song about men and women and how it’s impossible between us most of the time.
The Roots use funkiest metaphor for impregnation ever.
What do you think the meaning is of “The Seed (2.0)” by The Roots and Cody ChestnuTT?
I think the songs gives analogies between having a baby, and the current state of music, (hip hop to be exact)
Would this be an accurate assumption?
Mary, the lover, represents music in general (it can represent any genre), which has a flavor of the month mentality, and doesn’t know what it wants. The baby she’s having represents the direction in which the music is headed. The other lover represents alternative music, dabbling in other genres, or a lack of willingness to conform to the flavor of the month, but he still stays with Mary so he’s not completely abandoning his musical roots. He names the baby Rock & Roll because rock & roll is at the heart of all modern music, and rock & roll can be whatever it wants to be.
To sum it up, it means they’re leaving their legacy in music by dictating their own direction.
I think the songs gives analogies between having a baby, and the current state of music, (hip hop to be exact) Would this be an accurate assumption?